- Follow Music Theory Bridges on WordPress.com
RSS link
Search posts
-
Most recent posts
All posts
- May 2019
- October 2018
- July 2018
- June 2018
- April 2018
- February 2018
- January 2018
- November 2017
- October 2017
- September 2017
- July 2017
- March 2017
- January 2017
- November 2016
- October 2016
- June 2016
- March 2016
- February 2016
- January 2016
- December 2015
- October 2015
- September 2015
- April 2015
- March 2015
- January 2015
- December 2014
- November 2014
- September 2014
Tags
-
Recent Posts
Monthly Archives: January 2016
The Beatles’ chromatic trifecta
In teaching chromatic harmony, music theorists typically focus on three categories: “Secondary” or “applied” dominants and leading-tone chords Modal mixture or “borrowed” chords “Neapolitan” chords and augmented-sixth chords Of these, the first two categories are plentiful in virtually all styles of music, … Continue reading
Posted in Uncategorized
Tagged augmented 6ths, chromatic harmony, modal mixture, rock, secondary dominants, The Beatles
1 Comment